Showing posts with label Etopia Press. Show all posts
Showing posts with label Etopia Press. Show all posts

Tuesday, 23 May 2017

It's A Man's World - with Shehanne Moore


You wait ages for one Shehanne Moore book and then two come along at once! Hot on the heels of her irrepressible timeslip novel The Writer and the Rake, comes her long-awaited Regency - Splendor - sequel to the fabulous Loving Lady Lazuli. Shehanne has the knack of creating unforgettable heroines set against an authentic historical backdrop. Here she talks about ome extraordinary women on the late 18th/early 19th century.

  In terms of being a wife in ruination only? You can see my latest hero, Kendall Winterborne, Earl of Stillmore, is following in well-trodden footsteps when it comes to my heroes.  As for Splendor the heroine? Well, being up to her neck in it, goes with the turf.

I recently did a guest blog on the pretty awful lot of Georgian Women.  This book is set in a slightly later time, Regency more than Georgian, where the hunt for a husband was a serious business, families spent a fortune on their daughters,  ‘coming out’ and unattached ladies had but one goal, NOT to signal what that goal was. But what happened when they achieved that goal?

Mary Wollstonecraft, mother of Mary Shelley—and a woman who defied convention-- had published her  Rights of Women in 1792. It highlighted the ‘means and arts by which women had been forcibly subjugated, flattered into imbecility and invariably held in bondage’. But contraception, childbirth etc, did not greatly improve.  For women, chastity before marriage, was often as much a matter of necessity.  

 Also women were still their husband’s property.  Stillmore may be divorced, he certainly got all his wife’s money beforehand. In fact marrying her saved the family fortunes after his father ran off with a kitchen maid who bankrupted them.

So, given all this, you can understand Splendor being glad when Stillmore informs her that while this ’thing’  he’s asking her in such polite and patient terms, involves marriage, it will be one in name only, since he utterly despises and actively fears the institution. In fact he regards anyone foolish enough to take that trip down the aisle, as he once did, as an imbecile. 

 You can also see, given the only slightly improved lot of women in the early 19th century, why quite a few of them wanted to be a man. And that is something Splendor is masquerading as at the start of the book.  Not because she especially wants to be a man but because the prize money in a certain chess completion is much greater in the men’s part of the tournament, than the ladies. Nine and a half thousand guineas greater to be precise. Money she needs—badly.

   In that respect she’s not the first woman to decide that going about this as a man was the way to ensure her future as a woman. Katherine Ferrers—The Wicked Lady anyone—was said to have taken to the highways as a man in her husband’s absence,  to sort out the little blip in her finances, get them on a more even keel. 

 Too bad that she was apparently shot, exhorting a victim to stand and deliver, which they did, killing her in the process.  Looking on the bright side, at least her financial worries were at an end.  Something Splendor certainly considers when she gets challenged to a duel by Stillmore. Just one of the little drawbacks of entering a man’s world. 

 Very well, Katherine’s case has never actually been proved but the idea of women dressing as men is not stupid.  Shakespeare chooses to make his main character in Twelfth Night, Viola, a cross-dresser. She wasn’t laughed off the stage either. all right she was no doubt being played by a man dressing as a woman, masquerading as a man. 

 Shakespeare also has each of the three women in the Merchant of Venice, dress as men at certain points of the play, for perfectly valid reasons. Again, the idea wasn’t derided.

Why does Viola cross-dress?  Because, ship-wrecked and needing to find her brother, she is also faced with the harsh economic reality of finding work and the only opening? Yep, you guessed it. It’s for a man.

There are several instances of women cross dressing for that reason.

Christian Cavanagh, an Irish-born mother, left her children with her mother and a nurse to pursue her husband who had disappeared, into the army. Christian the subject of a book by Daniel Defoe, fought in several battles before it was discovered it was Mrs. Davies not Mr. 
 


Pirates Anne Bonny and Mary Read never masqueraded as men but they certainly lived as them. 

 Lady Caroline Lamb, as mad, bad and dangerous to know as her lover,  the poet Byron, being rich, didn’t need to dress as a man to make her way in that world, unlike her poorer ‘sisters.’ But when she fancied a quickie with Byron, she did find that sneaking into his chambers was a lot easier, if she was dressed as a boy.   

 I reckon that women, were doing what resourceful women, have done from time immemorial, and that’s survive. Whatever the era.  And freed from having to be a woman certainly seemed to make them quite as dangerous to know in some instances too.   

Catherine Cavendish, thank you so much, lady and writer extraordinary for asking me to your wonderful blog today.

And now? That duel.
Extract from Splendor:

He was an unashamedly driving, look-at-me male. Unless he knew her body was shaped differently? Did it mean he wasn’t going to shoot her? She could stay in the tournament? Win the ten thousand pounds? If he knew she was a woman, he was surely going to say…

“For God’s bloody sake, you’re damn well meant to move,” Stillmore snarled. “Stop bloody arsing, will you?”

In all of her intimate brush with the Starkadder Sisterhood, she had never been told to stop doing such a thing, especially not by a man whose buttocks seemed glued to hers. She felt him turn his head. 

“Don’t damn well add miscounting to cheating.”

“Miscounting? Me? When you—”

“Fram, start the count again. As for you, try to do what he says this time if it’s not beyond you.”

Despite the fact the pistol felt like ice in her hand, she gritted her teeth. “Do you somehow think it’s my fault I’m not? Look, Your Grace—”

“One.”

Whether it was her fault or not, the shock she got at hearing the word yet again and the difficulty of forcing her feet to move, meant she took a giant step forward, almost sliding on her said arse on the wet grass. These damned boots of Gabe’s were too large and thin as milk dribble on the soles. But so long as Kendall Winterborne didn’t think this was another trick on her part to delay the action, it would be all right.

“Two.”

Another step. She could barely keep hold of herself as she took it. But, count her blessings, her senses weren’t being accosted by the feel of him. The man…good God…who might kill her.

“Three.”

A drag of air into her tortured lungs. All she had to do was get off one round. How hard was that? Her finger tightened on the trigger. What if she killed the earl? Was he so black-hearted he deserved to die?

And all because he’d undermined her when she’d meant to say, I’m a woman. You can’t shoot me. Or had she undermined herself, precisely because she was a woman?

“Four.”

For God’s sake, was it five paces or six? Seven even? She could not remember for the mist snaking into her nostrils. And she needed to remember. As surely as her name was Dora Malachi whom everyone called Aurora Splendora, she needed to remember. She would be shot in the back otherwise. Then…then she’d be dead.

“Five… Six…”

But there was no sharp retort, no searing agony, no impact of a bullet tearing cloth and flesh, so obviously, obviously, when it came to how many paces, it wasn’t, five, or six. It couldn’t be. It must be…

“Seven.”

 The word wasn’t even out when she seized a breath and swung on her heel, managing just to keep her balance in the dew. Her fingers squeezed the trigger. She should have aimed, but it wasn’t as if she could see, so it made no difference. The crack ricocheted through her head, reverberating around every cavity in her eardrums. Crows rose like a screeching blanket from the ground. It was nothing to the noise Kendall Winterborne, the Earl of Stillmore, made as he hopped on one foot.

“Jesus bloody Christ. Jesus suffering bloody Christ.”

Nothing to the way he limped about, blackening the air with curses as she stood trying to look knowledgeable either. The buzz in her ears swelled. Starkadder and his silver watch fob chain she never got to polish, she hadn’t hit him, had she? How on earth she had managed to get that shot off, she had no idea. How it had blasted him in the foot either. But she had blasted him. Oh God, oh God, oh God. She had fired. He hadn’t. It meant one thing.

Even the somewhat large, staggered first pace she’d taken had not substantially increased the distance between them. For that she’d have had to bolt. So now…now he didn’t just stop hopping, he stopped dead center in the space opposite, the space he’d occupied just before she’d shot off her pistol, the smoking pistol that slithered from her palm, making a funny thudding noise as it struck the soft grass.

He raised his arm. Raised one eyebrow too. Her gaze widened in an involuntary spasm, so she saw the drizzle-sprayed mist, and his eyes primed on her like flintlocks above the shining barrel of the gun. The one now leveled at her breast, so carefully aimed, he could not miss.

A shudder shook her as his eyes narrowed, his brow furrowed. His finger fastened slowly on the trigger.

Then he drew it slowly, deliberately toward his chest.

 
The only thing he hates more than losing at chess is marriage…

 For Splendor, former servant to the London’s premiere jewel thieves, pretending to be someone else is all in a day’s work. So when she learns of a chess tournament—a men’s chess tournament—with a ten thousand pound prize, pretending to be a man is the obvious move. The money will be enough to set her fiancé up in his own business so they can finally marry, and more importantly, it’ll pay off her bills and keep her out of debtor’s prison. But she doesn’t plan on her opponent, the rakish Kendall Winterborne, Earl Stillmore, being a sore loser—and a drunken one, at that. But before she can collect her prize, she finds herself facing the most merciless man in London across a pair of dueling pistols at dawn. Chess may be Splendor’s game, but she’s never fired a pistol. And dressed as a man with ill-fitting shoes on the slippery grass and borrowed glasses that make it hard to see, she’s certain she’s finally tipped her own king.

 Bitter divorcee Kendall Winterborne, Earl Stillmore, is the ton’s most ruthless heartbreaker. And he’s got three pet peeves: kitchen maids, marriage…and losing. So when he realizes the “man” opposite him has entered the chess tournament under false pretenses, he’s in the perfect position to extort the little chit. But that’s before the exasperating woman begins to slip beneath his skin, and soon all he can think about is slipping beneath her skirts. But the confounded woman is engaged to someone else, and worse—she’s nothing but a former kitchen maid, just like the one that lured his father into the marriage that ruined the family name. And his ex-wife taught him more than he cared to know about why marriage was the worst kind of checkmate of all…




Wednesday, 13 March 2013

'Haunted' Portraits

My latest novella, The Second Wife, features a haunted portrait of the first Mrs Marchant - Emily. It frightens the life out of Chrissie, her successor.

When researching some material for guest promotional blogs, I came across a quite extraordinary idea.



Courtesy of http://www.hauntedportraits.com/
Courtesy of http://www.hauntedportraits.com/
It seems you can now buy portraits that metamorphose from perfectly normal attractive photographs or paintings, into something grotesque, skeletal, ghostland/or demonic, right before your eyes..


 They are marketed as being perfect for Halloween - or any time of the year if you live in a haunted house. Apparently there are no mechanical or electrical bits to worry about. You just hang them and then watch what happens...

It's certainly a novel way to redecorate - and maybe a radical gift idea for that horror loving friend who has everything.

I can (kind of) see them on the wall of an old, creaking house but am not at all sure about the concept when applied to a modern three bedroomed semi in leafy suburbia.


Mind you, if you want to be the star of the show, you can always order a customised ghost portrait - featuring yourself:


Courtesy of http://www.hauntedportraits.com/
If that's not daring enough for you, remember the portraits that used to move around in the Harry Potter books and films? Always thought it would be fun to own one?

Try these:

Wednesday, 13 February 2013

The Kabrini Message




Today I'm handing over to Marie Carhart,who is talking about her late brother's recently published sci-fi novel, The Kabrini Message. I read this over the weekend and I can thoroughly recommmend it. A riveting read!





Thank you so much for having me here today, Cat. 


As you know, The Kabrini Message is a novel written by my late brother, Joe Egles, back in 1987.  I only recently discovered Joe’s manuscript (hand typed by our mother) in a box in my attic.  The whole “story-behind-the-story” can be read on the two-part blog post I did, so I won’t repeat the entire thing here.







 But basically, after reading The Kabrini Message and becoming entranced by it, I decided it must be published.  This “message” just had to make it out of the attic and into the hands of the public.  I know everything happens for a reason, when and how it’s supposed to.  I believe my “message” in finding this forgotten jewel was to make it my mission to get it out there and now, more than a quarter of a century after it was written,  must be the perfect time for it!



There are messages all around us; some people are just more tuned in than others – as is the case with the main character in The Kabrini Message, Jeffrey Driscoll.  Jeffrey always sensed when he was looking through his telescope that someone or something was looking back, which is why the Kabrini chose him to get their message out. 



We are all capable of receiving the messages surrounding us…if we listen carefully.  But to certain individuals, it just seems to come naturally.  Just like his main character, Joe was one of those people. 



For no particular reason, up until now, I have not released any excerpts, so this will be the very first one!  Here is a brief synopsis, followed by the excerpt.





Synopsis:



An alien race. A shocking message…



During an archaeological dig in Greece, Jeffrey Driscoll stumbles upon a miraculous find: ancient crystals with celestial coordinates that will connect humankind with the Kabrini, a highly advanced alien civilization. His discovery leads him on a quest from the jungles of Africa to the Islands of Greece, from the streets of London to the tombs of Egypt, from Washington D.C. to Los Angeles, Jamaica, and Vienna, and finally to the deepest depths of space and Earth’s first global space effort, the Legacy mission.



When Driscoll Mining and the U.S. Army complete deep space construction of the Kabrini communications network, the Legacy mission is deemed a success. But a dangerous terrorist group hungers for revenge, and Driscoll will stop at nothing to save the project. As his obsession with the Legacy mission spirals out of control, he risks losing everything—his company, his grasp on reality, and the one thing he’s ever truly loved: his wife. And when humankind finally makes contact, they discover the Kabrini Message isn’t exactly what they expected to hear…






Excerpt:


The fire in Professor Gregory’s study burned low.  Outside, it was just getting dark and the first drops of a cold London rain splattered against the windows.



“Alrighty, then,” Gregory started as he sat down behind his desk. “As you may know, the Romans had umpteen gods. So did the Greeks. So what’s one more soothsayer? With a god for every occasion, they were only being religious by convenience anyway. That's why I never took this damn thing so seriously in the first place.”



"Took what seriously?” asked Driscoll.  “The Romans…or the Greeks?”



"Neither,” said Gregory sounding exasperated already. “I’m talking about the Oracle, the Oracle, you numpty.”



Gregory was clearly annoyed.  He was used to dealing with his razor-sharp archeology students, and they were used to paying attention to details.  Driscoll was not…at least, not to the point required for Gregory’s complex explanation. Driscoll practiced what he liked to call a holistic approach to life situations.  In other words, he took in the big picture and then did whatever was necessary to keep from getting chucked out of it.



“The Oracle, right, at Delphi,” said Driscoll. “You mentioned that on the phone. But what’s the fuss? It's not news. That's where rich folks went for advice about the future, right? The place where people went for prophecies…from priests or something.”



“But the Oracle wasn't just a place, like a fountain or a shrine,” corrected Gregory. “It was supposed to be a person, or a deity, who only spoke through priests. The priests in turn doled out the information to the faithful.”



“And by ‘faithful,’ you mean those who could afford to pay,” said Driscoll.



“Well, yes,” agreed Gregory. “But my point is, it couldn't have been all rubbish or they wouldn’t have kept coming back for advice. And they did…important people, like Caesars and such. There must have been something to the Oracle’s prophecies.”



“Unless it was just fashionable,” said Driscoll.



“Ah…wait, what?” stammered Gregory. Driscoll had broken his train of thought, which stunned the professor into silence. “This is what’s so difficult about talking to Driscoll,” thought Gregory. He never knew when to expect an intelligent comment. This one had caught him by surprise.



Driscoll kept talking as Gregory struggled to regain his composure. “I mean, in those days, you couldn't impress your wealthy friends by buying a flat screen TV or a Ferrari—so you blew a load on the Oracle to show off.”



Gregory was mildly shocked. “Has money made Driscoll wise?” he wondered. “No, no, surely not. It never works that way. But trust Driscoll to do everything ass-backwards, including getting smart,” he thought.



“Precisely!” Gregory finally answered. “And what do you suppose the priests did with all that wealth, mate?”



“I don't know,” Driscoll responded as he thoughtfully scratched the stubble on his cheek.



“Neither did anyone else,” Gregory said with a slight leer in his eye. “Until now.”



Driscoll dropped his boots to the floor and leaned forward on the leather couch. This had definitely piqued his interest.



“Listen to this,” said Gregory, producing a notebook from his jacket pocket. “This is an exact translation from a scroll my colleague Jessup unearthed near Delphi.”



The professor flipped through the tattered pages of his composition book and read aloud:



“‘I am an apprentice to a scribe.  But, by the time this is read, I will not only have been a scribe, but will have been dead for some two thousand years.

However, due to my experience as apprentice to Piros—scribe, scholar and personal acquaintance of the Great Emperor Claudius—I have access to certain knowledge, which if I do not set down, may be lost forever; unless the High Priests forsake their vows, which is not likely.

But to share this knowledge in my own time would certainly be the cause of my death.  Therefore, I share it with yours.’”



Gregory paused and glanced at Driscoll, who seemed to be mulling over the words.



“So this guy has something important to say, is that it?”  Driscoll said sarcastically.



Gregory rolled his eyes.  “Yes, yes…brilliant.  Now, listen to this part, mate,” he said.  He continued reading:



“‘In my time, I have no understanding of what I have seen.  Yet I hope the passage of many centuries may bring wisdom to my words so that you, in your distant world, though you are standing exactly where I am now, may read and understand.



For I have seen the Oracle at Delphi.  And It is not Human.’”



“Not human?!”  Driscoll repeated.  He was leaning so far forward now, Gregory thought he might tumble off the couch.



“That’s what the bloody man says,” said Gregory, “and he should know.  He claims to have been there several times and seen this Oracle thing twice.  Once while it was reclining and going about ‘business as usual’ with the High Priests, and once when it was being carried out.  During this second viewing, the scribe said the Oracle didn't look at all well.  It might have been dying or perhaps already dead, and the priests were taking the body to some secret burial place.  Anyhow, It was never brought back.  Apparently, interest in Delphi seemed to wane after that, at least among the big shots.  For the Caesars and the like, the Delphi prophesies seemed to have lost most of its punch.  The priests continued to sell prophesies, but more so to the public—at a cut rate, I presume.”



“Discount prophecies,” Driscoll said with a pensive grin.  “Talk about bargain shopping.”  He paused briefly to take another sip of brandy.  “Did he write anything else about the Oracle, Itself?” he asked anxiously.  He was already getting involved. “I mean, did he say what it looked like?"



“Oh yes,” said Gregory with a smug smile.  He knew he had Driscoll now.  “In fact, he was quite descriptive.  The scroll was very long . I only copied the first part, but I read Jessup's entire translated version.  He said the Oracle's appearance was that of a boy with longish hair—except It had pale blue skin and dark blue hair.”



“Holy shit…sounds like some kind of freakish Smurf!”  Driscoll said.



Gregory restrained from rolling his eyes this time.  “Also, Its eyes were clear, or maybe white.  The translation is not precise on that point.”



“Pretty strange, either way,” Driscoll said, genuinely interested.



“Yes, and it gets even stranger,” continued Gregory.  “The scribe’s description was from that first occasion, when the Oracle was reclining on a couch and being attended by the priests.  He said it appeared to be nude except for a thin, light blue veil and—are you ready for this Driscoll?—It had the sexual organs of both male and female!”



Driscoll said nothing.  He just sat on the edge of the couch, his elbows resting on his knees, his empty glass dangling from one hand.



Gregory stood up, stretched and walked out from behind his desk.  He leaned against the front of the desk and said slowly, "Driscoll, I think that Oracle was an alien.  Those High Priests had found, and were keeping, a bloody alien!”



The rain tapped on the windows.  The darkness from outside seemed to crowd into the study, despite the blazing fire.



Driscoll slowly set his glass on the coffee table and stared into it for a few moments.  His mind raced back to his boyhood bedroom.  He recalled all those sleepless nights he’d gazed at the stars through his homemade telescope as his drunken father raged downstairs.  Fast-forwarding to college, he remembered the countless hours he spent in the Princeton observatory studying the infinite depths of space, examining each pinprick of light.  Every time he’d ever looked up at that endless vista, he’d always had a feeling there was something—or someone—looking back at him.



“Gregory…”  Driscoll began stiffly.  For once, he was truly at a loss for words. “Gregory, are you…that is, well…don't you think you might be jumping to conclusions?  I mean, isn’t it more likely that that poor thing was the sad result of generations of inbreeding or something?  We know it went on all the time, back then.  Maybe that or some terrible disease or something…”



“Goddammit, I’m a scientist, Driscoll!”  Gregory interrupted.  “I don't jump to bloody conclusions.  It’s true, I don't have any real proof, but that's where you come in.  And anyway, there’s more. About the crash site.”


Now, have a look at the fabulous trailer:
You can buy The Kabrini Message here

You can follow The Kabrini Message here:
Twitter:  @KabriniMessage