Tuesday, 23 May 2017

It's A Man's World - with Shehanne Moore


You wait ages for one Shehanne Moore book and then two come along at once! Hot on the heels of her irrepressible timeslip novel The Writer and the Rake, comes her long-awaited Regency - Splendor - sequel to the fabulous Loving Lady Lazuli. Shehanne has the knack of creating unforgettable heroines set against an authentic historical backdrop. Here she talks about ome extraordinary women on the late 18th/early 19th century.

  In terms of being a wife in ruination only? You can see my latest hero, Kendall Winterborne, Earl of Stillmore, is following in well-trodden footsteps when it comes to my heroes.  As for Splendor the heroine? Well, being up to her neck in it, goes with the turf.

I recently did a guest blog on the pretty awful lot of Georgian Women.  This book is set in a slightly later time, Regency more than Georgian, where the hunt for a husband was a serious business, families spent a fortune on their daughters,  ‘coming out’ and unattached ladies had but one goal, NOT to signal what that goal was. But what happened when they achieved that goal?

Mary Wollstonecraft, mother of Mary Shelley—and a woman who defied convention-- had published her  Rights of Women in 1792. It highlighted the ‘means and arts by which women had been forcibly subjugated, flattered into imbecility and invariably held in bondage’. But contraception, childbirth etc, did not greatly improve.  For women, chastity before marriage, was often as much a matter of necessity.  

 Also women were still their husband’s property.  Stillmore may be divorced, he certainly got all his wife’s money beforehand. In fact marrying her saved the family fortunes after his father ran off with a kitchen maid who bankrupted them.

So, given all this, you can understand Splendor being glad when Stillmore informs her that while this ’thing’  he’s asking her in such polite and patient terms, involves marriage, it will be one in name only, since he utterly despises and actively fears the institution. In fact he regards anyone foolish enough to take that trip down the aisle, as he once did, as an imbecile. 

 You can also see, given the only slightly improved lot of women in the early 19th century, why quite a few of them wanted to be a man. And that is something Splendor is masquerading as at the start of the book.  Not because she especially wants to be a man but because the prize money in a certain chess completion is much greater in the men’s part of the tournament, than the ladies. Nine and a half thousand guineas greater to be precise. Money she needs—badly.

   In that respect she’s not the first woman to decide that going about this as a man was the way to ensure her future as a woman. Katherine Ferrers—The Wicked Lady anyone—was said to have taken to the highways as a man in her husband’s absence,  to sort out the little blip in her finances, get them on a more even keel. 

 Too bad that she was apparently shot, exhorting a victim to stand and deliver, which they did, killing her in the process.  Looking on the bright side, at least her financial worries were at an end.  Something Splendor certainly considers when she gets challenged to a duel by Stillmore. Just one of the little drawbacks of entering a man’s world. 

 Very well, Katherine’s case has never actually been proved but the idea of women dressing as men is not stupid.  Shakespeare chooses to make his main character in Twelfth Night, Viola, a cross-dresser. She wasn’t laughed off the stage either. all right she was no doubt being played by a man dressing as a woman, masquerading as a man. 

 Shakespeare also has each of the three women in the Merchant of Venice, dress as men at certain points of the play, for perfectly valid reasons. Again, the idea wasn’t derided.

Why does Viola cross-dress?  Because, ship-wrecked and needing to find her brother, she is also faced with the harsh economic reality of finding work and the only opening? Yep, you guessed it. It’s for a man.

There are several instances of women cross dressing for that reason.

Christian Cavanagh, an Irish-born mother, left her children with her mother and a nurse to pursue her husband who had disappeared, into the army. Christian the subject of a book by Daniel Defoe, fought in several battles before it was discovered it was Mrs. Davies not Mr. 
 


Pirates Anne Bonny and Mary Read never masqueraded as men but they certainly lived as them. 

 Lady Caroline Lamb, as mad, bad and dangerous to know as her lover,  the poet Byron, being rich, didn’t need to dress as a man to make her way in that world, unlike her poorer ‘sisters.’ But when she fancied a quickie with Byron, she did find that sneaking into his chambers was a lot easier, if she was dressed as a boy.   

 I reckon that women, were doing what resourceful women, have done from time immemorial, and that’s survive. Whatever the era.  And freed from having to be a woman certainly seemed to make them quite as dangerous to know in some instances too.   

Catherine Cavendish, thank you so much, lady and writer extraordinary for asking me to your wonderful blog today.

And now? That duel.
Extract from Splendor:

He was an unashamedly driving, look-at-me male. Unless he knew her body was shaped differently? Did it mean he wasn’t going to shoot her? She could stay in the tournament? Win the ten thousand pounds? If he knew she was a woman, he was surely going to say…

“For God’s bloody sake, you’re damn well meant to move,” Stillmore snarled. “Stop bloody arsing, will you?”

In all of her intimate brush with the Starkadder Sisterhood, she had never been told to stop doing such a thing, especially not by a man whose buttocks seemed glued to hers. She felt him turn his head. 

“Don’t damn well add miscounting to cheating.”

“Miscounting? Me? When you—”

“Fram, start the count again. As for you, try to do what he says this time if it’s not beyond you.”

Despite the fact the pistol felt like ice in her hand, she gritted her teeth. “Do you somehow think it’s my fault I’m not? Look, Your Grace—”

“One.”

Whether it was her fault or not, the shock she got at hearing the word yet again and the difficulty of forcing her feet to move, meant she took a giant step forward, almost sliding on her said arse on the wet grass. These damned boots of Gabe’s were too large and thin as milk dribble on the soles. But so long as Kendall Winterborne didn’t think this was another trick on her part to delay the action, it would be all right.

“Two.”

Another step. She could barely keep hold of herself as she took it. But, count her blessings, her senses weren’t being accosted by the feel of him. The man…good God…who might kill her.

“Three.”

A drag of air into her tortured lungs. All she had to do was get off one round. How hard was that? Her finger tightened on the trigger. What if she killed the earl? Was he so black-hearted he deserved to die?

And all because he’d undermined her when she’d meant to say, I’m a woman. You can’t shoot me. Or had she undermined herself, precisely because she was a woman?

“Four.”

For God’s sake, was it five paces or six? Seven even? She could not remember for the mist snaking into her nostrils. And she needed to remember. As surely as her name was Dora Malachi whom everyone called Aurora Splendora, she needed to remember. She would be shot in the back otherwise. Then…then she’d be dead.

“Five… Six…”

But there was no sharp retort, no searing agony, no impact of a bullet tearing cloth and flesh, so obviously, obviously, when it came to how many paces, it wasn’t, five, or six. It couldn’t be. It must be…

“Seven.”

 The word wasn’t even out when she seized a breath and swung on her heel, managing just to keep her balance in the dew. Her fingers squeezed the trigger. She should have aimed, but it wasn’t as if she could see, so it made no difference. The crack ricocheted through her head, reverberating around every cavity in her eardrums. Crows rose like a screeching blanket from the ground. It was nothing to the noise Kendall Winterborne, the Earl of Stillmore, made as he hopped on one foot.

“Jesus bloody Christ. Jesus suffering bloody Christ.”

Nothing to the way he limped about, blackening the air with curses as she stood trying to look knowledgeable either. The buzz in her ears swelled. Starkadder and his silver watch fob chain she never got to polish, she hadn’t hit him, had she? How on earth she had managed to get that shot off, she had no idea. How it had blasted him in the foot either. But she had blasted him. Oh God, oh God, oh God. She had fired. He hadn’t. It meant one thing.

Even the somewhat large, staggered first pace she’d taken had not substantially increased the distance between them. For that she’d have had to bolt. So now…now he didn’t just stop hopping, he stopped dead center in the space opposite, the space he’d occupied just before she’d shot off her pistol, the smoking pistol that slithered from her palm, making a funny thudding noise as it struck the soft grass.

He raised his arm. Raised one eyebrow too. Her gaze widened in an involuntary spasm, so she saw the drizzle-sprayed mist, and his eyes primed on her like flintlocks above the shining barrel of the gun. The one now leveled at her breast, so carefully aimed, he could not miss.

A shudder shook her as his eyes narrowed, his brow furrowed. His finger fastened slowly on the trigger.

Then he drew it slowly, deliberately toward his chest.

 
The only thing he hates more than losing at chess is marriage…

 For Splendor, former servant to the London’s premiere jewel thieves, pretending to be someone else is all in a day’s work. So when she learns of a chess tournament—a men’s chess tournament—with a ten thousand pound prize, pretending to be a man is the obvious move. The money will be enough to set her fiancé up in his own business so they can finally marry, and more importantly, it’ll pay off her bills and keep her out of debtor’s prison. But she doesn’t plan on her opponent, the rakish Kendall Winterborne, Earl Stillmore, being a sore loser—and a drunken one, at that. But before she can collect her prize, she finds herself facing the most merciless man in London across a pair of dueling pistols at dawn. Chess may be Splendor’s game, but she’s never fired a pistol. And dressed as a man with ill-fitting shoes on the slippery grass and borrowed glasses that make it hard to see, she’s certain she’s finally tipped her own king.

 Bitter divorcee Kendall Winterborne, Earl Stillmore, is the ton’s most ruthless heartbreaker. And he’s got three pet peeves: kitchen maids, marriage…and losing. So when he realizes the “man” opposite him has entered the chess tournament under false pretenses, he’s in the perfect position to extort the little chit. But that’s before the exasperating woman begins to slip beneath his skin, and soon all he can think about is slipping beneath her skirts. But the confounded woman is engaged to someone else, and worse—she’s nothing but a former kitchen maid, just like the one that lured his father into the marriage that ruined the family name. And his ex-wife taught him more than he cared to know about why marriage was the worst kind of checkmate of all…




Tuesday, 28 March 2017

Welcome Blithe Spirit... with Shehanne Moore



The great horror writer, Ramsey Campbell, said recently that, in his opinion, writers should make a point of reading outside the genre in which they normally work. I concur wholeheartedly. You can become jaded and even a little one dimensional if you don't spread yourself about a bit. 

For me, when I'm not reading horror, I frequently grab an historical novel. I can't be doing with bodice-rippers or heaving bosoms and maidens fainting all over the place (probably because their corsets are cutting off the oxygen to their brain).

Step forward Shehanne Moore. When she's not reading historical fiction, she frequently picks up a ghost story or a horror novel. I like to think it's that muse that sits at her shoulder while she creates the gutsiest, sassiest heroines in some of the strongest historical storylines it has been my pleasure to read in recent years. This week, she's launching her latest - The Writer and the Rake. You can get a flavour of the story later in this post.

Now, she takes over my blog to talk about one of her favourite topics. Ghosts.

Take it away, Shey!

 Do ghosts wander the face of the earth? (Asks she on a horror writer’s blog.)  And if they do, would they be welcomed? I guess that depends on the writer. Noel Coward certainly turned the idea into a farce in Blithe Spirit, when the dead wife turns up. 

 Daphne du Maurier did something quite different with Rebecca.  Rebecca may not appear as a ghost but her presence clings to every scene. And there is no doubt she casts a huge shadow over her husband, Max.  And yes, I welcome both these ‘spirited’ ladies because I find them much more interesting than the wives currently in situ, although I might not say that if they came to tea.

Ghosts are said to be restless spirits and the interesting thing is that they exist in every culture, ancient ones especially. Look at the idea of Halloween being the Day of the Dead, where  people left spaces at the table for their loved ones who were no longer with them. 


 Ghosts are invariably bound up with the idea of an afterlife—blame the Greeks for the Underworld, and rivers that we cross. But what if we don’t? Because also invariably, ghosts have unfinished business. 

The heroine of my new release

is not a ghost but she does go to bed in 2017 and wake up in 1765. And, after her initial, ‘it’s a dream and think of the book she can write from this, scenario’ she comes to the conclusion that her ex fiancé has murdered her in her sleep, after she moved into his spare room  with a random guy, in a bid to get her name off a joint mortgage. (As you do.) The afterlife, of course, isn’t what she thinks—how do any of us really know what it might or might not be?—but she is certain that the possibility of getting back to haunt her ex isn’t that daft. Just think about the kind of ‘dead’ person you might be here in terms of unfinished business. Is there anyone you would want to haunt and why? 

While there’s not any ghosts in the book, I suppose that the spirit of the hero’s first wife—where did I get this idea about wives?—hangs over him. I never thought about that when I was writing it. But he never loved her, she hated him, but his family insisted on the match when he was too young to argue. Okay and he’d er… got a servant into trouble. Because of that he’s gone to hell in a handcart since. Her clothes, her shoes, are all lovingly kept by their son, Fleming, who resembles her in every way and consequently is the daily reminder that everyone holds him responsible for her death. 

As if that’s not enough about  ‘ghosts’ in someone’ s life, because let’s face it, we don’t need to see or feel them, they don’t even need to be there, for the dead’s influence to taunt and haunt from beyond the grave, her sister, Christian, went and married the hero’s old uncle. Why? So she can stop him inheriting what is rightfully his, of course. And not just that. She has the  ’hots.’ 

To say 

is saying how much he is capable of sinning, because he’s plenty sinned against.  

 Here’s an extract from where Brittany, having fallen out a first floor window and broken a priceless Ming dynasty vase in a bid to escape the carriage she thinks had come to take her to hell, does a quick bit of re-thinking.  You can tell that despite the title of this post she’s not welcome….

Thank you so much Catherine for asking me to your wonderful blog. I am a huge fan of your wonderful horror books and your blog.

“Wife? Mitchell?” 

As Christian spoke, Brittany strove to look composed, serene. She’d fallen down the rope, somehow broken that vase, nearly broken her neck, except she couldn’t break her neck. She’d already been murdered by Sebastian. These things were bad enough. Had she mentioned that Mitchell Killgower was transfixed with horror?

She is not—”

“But she is very, very nice, Aunt Christian, the mother I never had, so we are all getting along . . .getting along quite famously in fact.”

Brittany struggled to her feet, dug in her pocket, fished out her fags. What a bloody awful thing it was being dead. Even her fag was so bent, getting it between her lips was such a mammoth task, it took three attempts. Five if she counted keeping her hand steady enough to ping her lighter and suck long and hard, wreathing herself in delicious, such needed smoke. She sucked even harder, while she considered her next move. It wasn’t biting her nails, or being pushed into the carriage. She’d a new slant on the carriage. The fag was just what she needed to find her cool and face down whatever these things were. She’d already come to think, ‘ghoul one’ and ‘ghoul two.’ Mitchell made it ‘ghoul three.’

 “Are you sure your new mother is nice, dear, only . . . only she looks . . . Well, I really don’t know what to say.” 

“Believe me, darling, the feeling’s mutual.”

                Mitchell‘s eyes were icy as polar caps. “May I say, for the benefit of those who are hard of hearing, this woman is not—” 

“Your wife?” The uncle’s shining, silver cravat pin nearly pinged from his cravat. He grasped his cane so tightly his knuckles were white as his hair.  “I should sincerely hope not. You know our terms and conditions on that. If this is the best you can do, then we should redraw our will now. Unless you’re going to try telling us she’s Fleming’s wife?”

“Well, Uncle, now that you come to mention it. At sixteen, it is about time. Half the boys in the county, if not the country, are already—” 

              “Oh, really? Mitchell . . .” Brittany took a deep breath and pinged her fag beneath the withered hydrangea. The afterlife wasn’t what she’d thought. If this wasn’t heaven, or hell, then it was some sort of place of atonement. Look at all these ghostly shrubs and trees for a start and those stone dragons poking out of the walls. 

              Ghosts did wander the face of the earth. These must be the ones with unfinished business who’d managed back. She wouldn’t rest till she’d done whatever it took to do that and make Sebastian’s life hell. Mitchell would know the way. Whatever this was about, put out her hand to the weary traveller and he’d owe her big time. Besides why should she suffer all these stinging cuts to her pride? She was the perfect homemaker. Look at all these rugs and pot plants she’d bought for Sebastian’s. The ones he’d thrown at her when there were rows.

            “All right, you win. So you were right. Your aunt and uncle can’t take a joke, but are you really going to let them talk to me like this? We both know I was locked in that room by . . . by a certain person and that person wasn’t you, my dearest. With hardly any clothes to speak of too? All for a joke? Hmm? Fleming, what do you have to say? Let’s hope it’s interesting?”

            “No, I never. How would I do that?”

             “Very, very easily, darling. Don’t lie to your great-uncle. It’s so unbecoming when he’s such a nice man.”

             “You mean, Fleming, you never had any clothes on either?”

              Fleming flushed scarlet. “Uncle. They took my clothes. They put me out wearing a bed sheet.”

              “But, you just said to your great aunt that your new mother was very nice. Well? Which is it to be? Are you lying to me, boy?” 

             “She . . . she is nice, Uncle Clarence. But, I didn’t lock her in my room. How could I?”


 The Writer and the Rake

1765 had bugger all to recommend it. 

He saw her coming. If he’d known her effect he'd have walked away.

When it comes to doing it all, hard coated ‘wild child’ writer, Brittany Carter ticks every box. Having it all is a different thing though, what with her need to thwart an ex fiancé, and herself transported from the present to Georgian times. But then, so long as she can find her way back to her world of fame, and promised fortune, what's there to worry about?

Georgian bad boy Mitchell Killgower is at the center of an inheritance dispute and he needs Brittany as his obedient, country mouse wife. Or rather he needs her like a hole in the head. In and out of his bed he’s never known a woman like her. A woman who can disappear and reappear like her either. 

And when his coolly contained anarchist, who is anything but, learns how to return to her world and stay there, will having it all be enough, or does she underestimate him...and herself?  
 

Thank you so much for being my guest today, Shey!